Symbolic winter illustration
Winter’s people ↗The Good Cold — Winter’s people / Porcupine Mountains

Four Women, No Wi-Fi

Four women who shared an apartment in their twenties now share a snowy Porcupine Mountains cabin weekend in their sixties. With no Wi-Fi, a deck of cards, and decades of history, the silence becomes its own kind of invitation.

In their twenties, they shared an apartment.

In their sixties, they share a winter cabin weekend in the Porcupine Mountains.

They once shared an apartment with mismatched chairs, a refrigerator that sounded like a lawn mower, and a rule against bringing dates home during exam week. Forty years later they are four different women with a magnificent collection of life stories and no universal talent for keeping in touch. Louise has recently retired and doesn't know what to do with her afternoons. Karen has become the person everyone calls when there is a crisis. Bea insists she's not slowing down, although she now plans trips around the availability of a comfortable bed. Nina always packs too much food and is consistently vindicated. They choose a properly accessible winter cabin in the Porcupine Mountains after checking the route, heating and gear requirements. Getting there takes longer than expected, partly because of snow and partly because Bea insists on stopping for photographs, and partly because Nina insists on Linda's Bakery in Ontonagon, in case the groceries prove insufficient. They do not. By the time they unpack, the windows are turning blue with evening and the little table is covered in groceries, playing cards and an alarming number of crackers.

The first morning they wake to a pale blue light that makes the windows look painted. Karen builds a fire while Nina begins breakfast; Bea studies the weather from beside the glass, wrapped in the Cabin Issue throw she brought from home, and Louise searches the cabin for the deck of cards she insists she packed. The women move around one another with the ease of people who have occupied the same small space before. There are a few sharp exchanges over who used the last clean pan and whether anyone remembered to bring proper tea. None lasts more than a minute. On the short walk later they point out strange little patterns in the snow, compare boots and discover that Bea is still the one who stops to look at every unusual tree. Louise falls a few paces behind, then catches up when Karen turns and waits. Nobody announces that they are slowing down for her. They just do. By the time they return to the warmth, their cheeks are red and they're all ready for soup.

They don't try to recreate being twenty-two. The conversation has changed. Once it was about exams and boyfriends and where they might live next. Now it moves between grandchildren, work they're glad to have left, friendships they've lost, and the surprising difficulty of having an empty calendar. Someone mentions Tony's Cedar Bar near the park entrance, and the room full of skiers it implies. Nobody moves. The first night they argue about rules for a card game they've played for decades. The second night, Louise admits she sometimes goes days without an actual conversation. Karen begins to offer a solution, then stops. Instead she asks Louise to tell them what an ordinary Tuesday feels like. They listen. The following morning they walk a short winter route together, choosing a pace that suits everybody. Bea keeps stopping to look back at the cabin roof between the trees. Nina says the woods feel almost impossibly quiet. Louise is first to suggest they make breakfast together when they return. On the final evening, Karen writes four dates on the back of an old grocery list—not aspirational reunion ideas, but actual visits they can make. The list goes home in Louise's coat pocket, right beside an unopened pack of cards.

In the morning, fresh snow has covered yesterday's tracks.

Setting artwork is illustrative; it does not depict the story’s cast or document an event.